Nativity (Novgorod)


PreviousGalleryNext

Nativity - Novgorod

The pictures of this site may not be used in any manner without our written permission.


Commander

Icon nb 69

Size : 50 x 40 cm.

Linden board

Gilded halo and background. Egg tempera.

The elements of the icon:

The Child Jesus is at the centre of the composition of the Nativity icon.

The cave is not mentioned in the Gospels. It is Saint Justin who mentions it for the first time. Saint Irenaeus sees the Nativity dark cave as a prefiguration of Christ's descent into hell. In this way, the cave, which appears on many icons, reminds the viewer of the reality of the "ravine of darkness and death" (Ps 23:4), i.e. sin. In the icon of the Nativity, it takes on the special meaning of divine kenosis: God deigned to take on the poor human condition in order to bring us back to himself...

In the iconography of the Nativity, the cradle takes on the appearance either of a tomb or of an altar, or sometimes of both, with no clear definition. If it is a tomb, the cradle signifies that Christ was born so that death and sin might be conquered through his death. If it is an altar, it prefigures Christ's sacrifice for the redemption of mankind.

 

The ox and donkey (on Russian icons, the donkey - unknown in Russia - is transformed into a horse) were not depicted until the 4th century. Different interpretations have been given to them. In the 4th century, the donkey was thought to represent the Gentiles, while the ox was thought to represent Israel. In the 5th century, in the Gospel of pseudo-Matthew, we find an interpretation, taken up by the liturgical texts, which is linked to Isaiah: "The ox has recognised his owner and the donkey his master's manger". (Is 1:3). We can also think of the words of the prophet Habakkuk: "You will manifest yourself in the midst of two animals" (Ha 3:2).

The dark red of Mary's maphorion is reminiscent of the royal purple of the Byzantine court. The dignity of the Mother of God is further underlined by the gold embroidery, and above all by the stars on her head and shoulders, signifying her virginity before, during and after the birth of her divine son.

The half-sphere, painted in progressive shades of blue - the colour of transcendence - to express its unfathomable mystery, represents divinity.

The ray expresses the descent expressed by the prophet Isaiah: "Oh that you would tear the heavens apart and come down" (Is 63:19). The star of Bethlehem has eight branches, a promise of the eighth day, the day of the Resurrection according to the Fathers.

 From the books of Father Egon Sendler

Home / Gallery 1 / Gallery 2 / Gallery 3 / Gallery 4 / Western Saints Icons

P. Grall © ASA 2001 - 2024 - All rights reserved.